Tuesday, June 20, 2017

What Does Music Mean Today?




Music is the melodious or harmonious combination of sounds. It is an element of our Culture. It is a powerful universal means of communication. "Etymologically speaking, the word derives from the Greek word Mousikos, relative to the Muses, the figures of Greek and Roman mythology. The word refers to “technique”, which is also derived from the greek word techne. Originally the term did not indicate a particular art, but all the arts of the Muses, so it was referred to something that was “perfect”.  Even though this etymology is useful it fails to tell us much about the true origins of music.

Traditional African/Cameroonian music and musical instruments. Photo Taken during a trip in the deep areas of the Center region Photo Didier De Masso
 The history of music is fascinating. Showing marked variations across cultures especially with musical instruments. However, music has served either a functional (serving as artistic works, as cultural symbols and religious rituals) or contemplative role. Music has always been a universal language.  In Africa cradle of civilisation and birth of music, vocal music has marked its people and gradually influenced the fabrication of musical instruments such as membranophones, which produce sound by a vibrating membrane e.g. drums; idiophones, which produce sound by vibrating themselves e.g. flutes; chordophones, which produce sound by vibrating strings e.g. lyres; and aerophones, which produce sound by vibrating columns of air e.g. pipes.  Drums are the oldest religious ritualistic musical instruments of the African society. Music in Africa like most practices is functional, purposive. Making it least entertaining. Music in Europe and North America is a recent practice tightly linked to the evolution of visual arts. 
Technology today is playing a great part in the making of music. Is the problem technology or the type of technology and the period in which it is used? Here DJs perfoming at music show in prelude to the Music Day June 21st 2017 at the Goethe Institute Kamerun Photo Didier De Masso
                                                         
36 years ago Jacque Lang, then Minister of Culture in France created the concept of World Music Day.  As the world celebrates Music day each 21st June, today marks for me a reflection on my experience of music which is at the same time technological and psychological/spiritual. My first true experience with music was with the vocal music of my dad, then his vinyl, then the cassettes and later the CDs and DVDs. Today my music is stored in the disk drive of my laptop or my smart phone. My relation to music has changed also during the years, getting enriched to encompass music from virtually all parts of the world. What has always fascinated me is the construction and depth of certain musical pieces over others. I have always been amazed by the marked variation between classical music for instance and vocal music. The impact of the former has been much more consistent on me than the later. I have also realised that music is having a different psychological impact. Music now seems to be louder, and faster and devoid of content, sense or direction. Almost artificial, the paradox is in itself troubling since the essence of music per se is not maintained but is now completely shattered. How can a soul live without music, an essential component of it? Music seems to be disconnected from its creators. It can be understood though; because the essence of music has been tainted by the digital age, globalisation and capitalism. The functional aspect of it fading systematically and giving way to its contemplative role. Well, I wonder how music will sound like in 50 years from now.  When technology would have totally permeated our minds and our spiritual essence completely dissolved in the noise. I think it is impossible for the intellectual construction of a musical-arts-piece to be separated from the techniques and technology used in creating it. Nowadays, essentially and truly very paradoxically, we are now assisting to a deep regression in the soul and spirit of Music.

   However, in spites of the fact that the creation of music is chaning its essence, my gratitude to musicians of the entire world, past present and future is total. With music I have travelled around the world several times and like never before. I have understood how humanity is so much linked albeit differences.I have seen the love and bond it creates. Music is truely good for the soul. Indeed tet’s thank all the musicians of the past and today, artists who make us Love life and Culture much more because of Music, Their Music. Don 't stop creating music!




Wednesday, May 3, 2017

Lydol SLAMS and I encountered it


 Never  had I known what slam was all about untill I listened to Grand Corps Malade,for the first time and that was long ago. And still then ,the gap between his expression and the creative processes leading to the verbal expression of  SLAM  was very big ans strange. Yet, my experience of the use of words in the form of poetry has always been present. My encounter with Lydol dolly dollyahstar during the science slam in 2015 at the Goethe Institute Kamerun  in Yaounde provided me with a new interaction, encounter with words and how they could be used to vehicle meaning and knowlegde and the relationship people could have with them.I should admit it was a fantastic experience where I learned a lot, albeit my lack of experience in slamming.

Science Slam 2015  Photo Courtsey Goethe Institute Kamerun
Untill then, SLAM was still  quite mysterious untill I participated in an international workshop on slam organised by Lydol from the 29th to the 30th of April  at FIAA in Yaounde. I had the joy  not only to listen and see her teach a few participants  her experience of slamming, transmit her passion for it  but also truelly getting exposed to her personal creative process in situ which constantly feed itself from  her womanlingness, context and  her experience. In fact, she performed at several occassions during training and during the restitution phase of the workshop titled : Style haut
 à stylo where the trained participants now had to perfom, slam.
An encounter with words and their uttering  photo Didier De Masso

Lydol slamming bare-feeted during the restitution part of the workshop  photo Didier De Masso

Seybe from Chad , one of the several international participants at the workshop Slamming Photo Didier De Masso






As it rained during the evening of the 30th of April, each slammer brought a unique touch to the workshop exposing the intimate nature that words have with us. In the crowd , I looked at each particpant performing with total bliss.I got attuned to and drifted by the stream of their consciousness. As they uttered slowly each word that seemed to be choosen to reveal a specific feeling or thought I got  IN LOVE WITH SLAM. Each text constructed or not by the slammers during their performance was in itself a unique opportunity for the slammers themselves and the public to get closer. For me it was an opportunity to undertand words.Just words and what they mean  permeated FIAA till I left happy and covered by the coldness of a unique Sunday marking the end of April : Joy, might, fear, thrill, desire, passion, courage, humanlingness, love , little doll, Lydol..